Brothers by Puddi Kullberg, Jungian Analyst

get-attachment     As a lover of the movie The Hours, based on the book of the same name by Michael Cunningham, I was interested to see the review of his new book in the on-line NYT’s Arts section this morning. The headline caught my attention, “Two Brothers in the Icy Grip of Midlife.” Michiko Kakutani reviewed Cunningham’s new book The Snow Queen in which “two brothers yearn for a sense of purpose in midlife.”

Having spent most of yesterday working on a class about individuation, I thought, “Aha, midlife, here is something that might enliven the discussion.” Not to mention that a pivotal ingredient of the novel-named-after-a-fairy-tale involves one of the brother’s having had a numinous experience, a vision of beauty and grander, on a snowy evening in Central Park, kept secret from his sibling. How Jungian can you get? Could I assign a novel for my class or might that be too much reading?”

As I read the review though my mind wandered from individuation to brothers. I couldn’t help but connect it to another current brothers story.  The indie rock band The National is made up of two sets of brothers and the singer/lyricist whose brother is not part of the band. As it turns out though, the non-band brother is now intimately connected to the group via his recent movie Mistaken for Strangers. And the poignant Mistaken for Strangers turns out to be as much about brothers as it is a documentary about The National.

Maybe someday we’ll have a movie of The Snow Queen that is not Frozen. At any rate, if brothers captivate you, I can recommend Mistaken for Strangers and if you love Cunningham, you can look forward to The Snow Queen, the book.

Mistaken (1) 

 

Snakes as Symbols of Transformation by Deborah Bryon Ph.D., Jungian Analyst

References to snakes and serpents as a universal symbol of transformation are found throughout mythology across the world. As a student of Jung, I have found references in his writings to snakes which have also enriched my understanding of this powerful image. Jung has stated that the image of a “serpent in a cave is a common image associated with baptism or beginning[1].” The cave or Underworld represents a layer of the unconscious where there is no discrimination; male and female are no longer distinguishable. Snakes exist in the primordial realm of creation.

In Greek mythology, Asklepios, the god of physicians for healing, wisdom and prophecy is represented by the serpent.[2] In Asia, Kundalini is the snake fire that burns and cleanses the chakras in the body. Nathan Schwartz-Salant described these kinds of snake symbols as Dionysian, involving the lower anthropos, chakras or energy centers in the subtle body and etheric field.

What continues to be most meaningful to me about the snake – beyond providing me entry into my own shadow and dismemberment process – has been the deepening of my “felt” connection to Peruvian cosmology. In Peruvian Shamanism, Uhupacha, the Underworld, is ruled by Amaru the great snake. It is the womb of the Great Mother, Pachamama, and the place of manifestation. This is the primordial realm where a complete “union of opposites” exists.

 


[1] (C.G. Jung, CW Vol 18 (1989), p.116)

[2](C.G. Jung, CW, Vol 18).